The Silo Art Trail is Australia’s largest outdoor gallery. The trail stretches over 200 kilometres, linking Brim with neighbouring towns Lascelles, Patchewollock, Rosebery, Rupanyup and Sheep Hills.
Our caravanning holiday took in this long trip to see them all. This was day one of the silo trail trip.
Rupanyup’s silo art is the work of Russian mural artist, Julia Volchkova, who turned her attention to the town’s youth and their great love of team sport.
The work vividly captures the spirit of community and provides an accurate insight into rural youth culture.
The featured faces are those of Rupanyup residents and local sporting team members, Ebony Baker and Jordan Weidemann. Fresh-faced and dressed in their sports attire (netball and Australian Rules football, respectively), Baker and Weidemann embody a youthful spirit of strength, hope and camaraderie.
GrainCorp Sheep Hills Silo Art
Throughout his career, Melbourne-based artist, Adnate has used his work to tell the stories of Indigenous people and their native lands, particularly the stories of Aboriginal Australians. In 2016, Adnate developed a friendship with the Barengi Gadjin Land Council in north-west Victoria and found his inspiration for this mural.
GrainCorp’s Sheep Hills silos were built in 1938. Adnate’s depiction of Wergaia Elder, Uncle Ron Marks, and Wotjobaluk Elder, Aunty Regina Hood, alongside two young children, Savannah Marks and Curtly McDonald celebrates the richness of the area’s Indigenous culture.
GrainCorp Brim Silo Art
Guido van Helten’s iconic Brim mural was the first silo artwork to appear in Victoria, and soon infused the town’s community with newfound energy and optimism. After gaining widespread local and international attention, Brim’s silo art success shone a spotlight on the Wimmera Mallee region and inspired the establishment of the Silo Art Trail.
Completed in early 2016, with limited financial resources, van Helten’s mural depicts an anonymous, multi-generational quartet of female and male farmers. Rendered across these four 1939-built GrainCorp silos, van Helten’s subjects bear expressions that exemplify the strength and resilience of the local farming community.
Rosebery Art Silo
Before commencing work in Rosebery, Melbourne artist, Kaff-eine spent time in the Mallee assisting fellow artist Rone on his Lascelles silo project. During this time, Kaff-eine travelled to neighbouring towns, discovering the natural environment and acquainting herself with local business owners, families, farmers and children – all with the view to developing a concept for these GrainCorp silos which date back to 1939.
Completed in late 2017, Kaff-eine’s artwork depicts themes that she says embody the region’s past, present and future.
Patchewollock Silo Art
To prepare for his Patchewollock mural, Brisbane artist, Fintan Magee booked a room at the local pub to immerse himself in the community and get to know its people. When he met local sheep and grain farmer, Nick “Noodle” Hulland, Magee knew he had found his muse.
Why Hulland? According to Magee, the rugged, lanky local exemplified the no-nonsense, hardworking spirit of the region. Perhaps more importantly though, Noodle had just the right height and leanness to neatly fit onto the narrow, 35-metre-high canvas of the twin 1939-built GrainCorp silos.